วันอาทิตย์ที่ 9 มีนาคม พ.ศ. 2551

The Abduction of Psyche



The Abduction of Psyche by
Adolphe-William Bouguereau

Title The Abduction of Psyche
Artist Adolphe-William Bouguereau
Date 1895

The painting The Abduction of Psyche (which is also known by the French title Le ravissement de Psych้) is one of artist William Bouguereau's most recognizable and famous works. The Abduction of Psyche was inspired by an episode from Classical mythology, and Bouguereau was certainly not the first to be fascinated by the legend. Indeed, the tale of Psyche and Cupid (or Eros, if you prefer the Greek name for Cupid) has appealed to many painters and poets over the centuries. But the way in which the artist has depicted his version of the myth is what makes this particular image so memorable.

In this painting, the beautiful woman Psyche is being carried by her immortal lover Cupid. Bouguereau biographer Fronia E. Wissman writes poetically of this piece: "...she [Psyche] is literally being transported by love." And this, in essence, is what the image represents. Psyche seems lost in a blissful reverie. She is being embraced by the handsome god of love, who, with his elegant wings and idealized features, seems custom made to drive young women into a frenzy of admiration and desire. The two figures almost seem as one in this work, and together their bodies form a lyrical arrangement. Floating draperies - delicate lilac for Psyche and muted blue-grey for Cupid - complete the composition and give the painting a subtle but sophisticated diagonal emphasis.


Biography of Adolphe-William Bouguereau (1825-1905)


As a young man, Bouguereau put himself through the Ecole des Beaux-Arts by keeping books for a wine merchant and coloring lithographic labels for a local grocer. In his spare time, late in the evening, he created drawings from memory. This diligence and discipline resulted in an extrordinarily productive artistic life. Bouguereau produced more than seven hundred finished works and achieved a remarkable level of public acclaim and financial success. He never forgot his difficult early days, however; working secretly, he assisted young artists who were struggling as he had to pursue an artistic career in the face of financial difficulties.


Like many painters of the second half of the 19th century, Bouguereau made a careful study of form and technique and steeped himself in classical sculpture and painting. True to his serious and industrious nature, he worked deliberately and industriously: before beginning a painting he would master the history of his subject and complete numerous sketches.


The tenderness with which he portrayed children and domestic scenes, his technical skill and passion for the classics, and his love of rich color are hallmarks of Bouguereau's exquisite paintings.

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